Can you really make grass photography interesting?
Some people may think that grass photography is boring, but that’s actually far from the truth.The phrase, “Watching the grass grow” is a euphemism to spend time idly.
Grass is not the most interesting subject in the world, but in photography as in life, it is all about how you view things. Check out other photography niches here.
Good photographers could take a boring subject, like grass, and make excellent grass pictures. To show it, here are 10 wonderful photos of the green stuff under our feet (and great grass photography tips to go with them).
If you take the time to scrutinize and analyze it in detail, you will realize that grass is full of possibilities for a wonderful shot. It comes in a wide range of colors, textures, and thicknesses, and could also be an excellent background for other fascinating subjects.
Types of Grass
Grass comes in a wide array of varieties, all of which have different characteristics, tall and tangled, short and twisted, small, heavy, different sizes, densities and shades, some without heads, some with heads, and so on.
Go for a stroll and see how many different kinds of grass you can find; do not feel you have to restrict yourself taking pictures of the grass growing on your back lawn.
Experiment with Angles
Since grass is very accessible, we typically have a whole range of motion around it. Experiment with various points of view to achieve different effects-low and near to reveal all the intricate textures, details, peering through the grass, perhaps towards another surface, or looking down from above to highlight the patterns it makes.
Zoom in as close as you could to see the interesting shapes and curves of the actual grass blade. This usually creates more interesting grass photography than a large one, because it gives us an even closer view than we are used to, inviting us to explore and study the photo.
Examine the viewer-play with your camera, turn it in an angle, upside down or sideways. This gives the grass a more ambiguous appeal and engages the spectator more because it is not immediately evident what the photo is of.
Color is crucial in nature photography, and grass has it in spades-from lush greens to blazing reds to pastel yellows and much more.
Consider the colors that you’re going to include in your grass pictures. Do you need it to be made up of single color differences or a lot of distinct color variations? Should they complement each other, or would you like to use contrasting colors to add a focal point to the photo? You can accomplish the desired effect by changing your position and re-framing the shot.
Texture and Detail
Some of the fascinating aspects of grass photography are the variety of unique textures and details possible for you to work with-from the patterns on the individual blade to the way that multiple blades entwine, right up to the patterns shaped on the broad lawn when they are mowed.
Take a look at the grass from far to very close to see what stands out for you. Then base your point of view and composition on this fascinating feature.
Because of the nature of the grass (outside!), you will most likely be confined to the use of natural sunlight. But you can also have a great deal of leverage over the lighting by selecting the time of day and changing your point of view to control the intensity of the sun.
To show the color and texture of your Bermudas images, light it from the front or the ground. If you want to concentrate on the outline of the grass, use back lighting to minimize the prominence of the textures, or even to create a silhouette.
A bright, sunny day will give you vibrant and high contrast green grass images, while a duller, overcast day will provide you with softer grass pictures. Early morning and evening are both ideals for taking photos of grass silhouettes.
Reduce Glare and Reflections
Another reason your lawn could look washed out in your grass photography is because of glare and reflection. Imagine looking at the surface of a lake or stream. It shines and shines as the sun is reflecting on it. Water is not the only thing that reflects light; most things do so to some degree, including grass, mainly when it is wet. You are not going to see your face in the reflection, but the additional amount of glare will throw off the color of the frame, making your lawn appear much brighter than you could see.
Even as polarized sunglasses can be used to minimize glare, there are polarized filters for camera lenses. They screw on the front of the lens and have a front element that rotates. When you look through the viewfinder (or LCD screen if you do not have a viewfinder), you rotate the filter to position it correctly to avoid the glare.
This should be very clear when you have a circular polarizer in the right place. Use this connection to find a polarization filter for your camera or lens. Your camera lens will have a number on it that tells you the filter size, or you could review your owner’s manual to check if your camera supports the filter size.
If your camera does not allow filters, you can keep one in front of the lens and turn it around. Just have one larger than the actual size of your lens, so you will not get your fingers or the filter rim in the shot.
Remember that the polarizing filter decreases the amount of light flowing through the lens. This will affect your exposure, but as long as you test the gray card exposure, whereas the filter is on the lens, you do not need to make any adjustments.
Even, Diffuse Lighting
There are several important differences between how the eyes and brain work and how digital camera functions. Exposure adjustment and dynamic range are one of the most significant aspects when it comes to grass photography. If you look at a sunlit scene, your eyes can see the brightly lit areas of the lawn and even some critter hiding in the shades of the shrub. That’s because your eyes have a broader dynamic range, and you can make changes easily. The camera has a much narrower dynamic range and needs to compromise on exposure.
If you take a picture of a bright area with shimmering shadows, you can get the sunlit area with the appropriate exposure and the shadows will be quite dark, you can get the shadow areas to look right, but the bright areas will be washed out and too dim.
Include Other Objects in Your Grass Photography
Having objects of additional interest helps to generate a focal point for your grass photography. From the dew to the insects, from the people to the stars, the options are infinite, so choose something that represents the mood of your scene and your character. If you cannot locate any natural points of interest, feel free to cheat and include your objects into your grass photography! Check out other travel photography tips that you shouldn’t miss out on as well.